What do you listen to? part two
Earlier this summer, my students asked what music I listen to. Since
they were not satisfied with almost everything
, I agreed to write about
my musical preferences. In part one, I wrote about the
development of my popular musical tastes. In this part, I write about
some of the music that Michelle and I listened to in the early years of
marriage, from marriage through right before moving to Grinnell.
When Michelle and I got married, I added a wonderful person to my life
and she added, um, a pack rat. Even at that time, I had too many books,
too many albums, too much ephemera, and more. We also got to attempt
to share and develop our musical tastes. There are some things that
I listened to [1] that she did not like. When we saw X, she found
it too loud, but she was amused by Exene Cervenka and John Doe fight
on stage. She said Phillip Glass sounded like tinkle tinkle tinkle
[2]. I can’t remember whether or not she attended Hüsker Dü with me
[3], but, if she did, she didn’t like it. In contrast, I found some of
her music a bit, shall we say, treacly. If I never hear Cats in the
Cradle
again, my life will be better [4].
But we also found a reasonably large amount of music that we enjoyed in
tandem and listened to together in the car (traveling between Hyde Park
and Oak Park, or between Chicagoland to Boston, or between Hanover and
Waterville, or wherever). We didn’t see a lot of concerts together, but
we saw some, and I think they helped influence her taste. We saw both
the Blasters and Joe Ely [5] at Fitzgerald’s. If I recall correctly,
one of the highlights of the Joe Ely concert was Ely and one of his band
vying for who got to sing what verse of West Texas Waltz
. We were
already listening to Michelle Shocked by the Captain Swing tour, but
seeing her solidified our enjoyment of her music.
But a lot of our taste formed from tapes and CDs I bought and taped for travelling [6]. These days, when we play songs from some of these albums, Eldest and Middle note that they are vaguely familiar, but they can’t remember why. Others, we continued playing with them.
Romeo’s Escape by Dave Alvin. We already loved the Blasters (see
below). So I picked up Dave Alvin’s solo album when it came out.
While brother Phil’s voice is an incredible instrument, Dave Alvin’s
take on his own songs, particular Fourth of July
(which he’d
done with X) and Border Radio
, which is wonderfully world weary.
Bad is Beautiful by the Bad Examples. I picked this up from the $2 bin from some used record store in Harvard Square. It quickly became a favorite. Thoughtful and varied power pop. We continued listening to this even after the kids were born, even though the lyrics are rarely appropriate for children. When I took the kids to the Bad Examples’ 25th anniversary show, folks assumed they were there because of Ralph Covert’s kids music, but they loved his real rock.
Cheap Beer Night by the Bad Examples. A great live album by
the group. Contains Hey St. Peter
, which may be the kids’
favorite (and least appropriate) song. The chorus goes Hey
St. Peter, won’t you open up your gate? I hear the devil calling.
Now please don’t make me late. He’s got loud guitars, alcohol,
cheap Jamaican whores. I don’t want to stay in Heaven no more.
We’re great parents, aren’t we?
Gordon by Barenaked Ladies. Joyful and silly music. I’d
say If I had $1,000,000
and Brian Wilson
were favorites, but
we loved the whole album. When we did a vacation in Toronto,
I made sure to track down their legendary Yellow Tape
, which
we listened to repeatedly on the way home.
The Blasters by The Blasters. Roots rock, before roots rock was big.
Dave Alvin is an amazing songwriter. Phil Alvin is a great singer.
The core band is strong, and when they include Gene Taylor and Steve
Berlin, they are transcendent. American Music
remains one of the great
tributes to the wide variety of music. Marie, Marie
recalls fifties
girl name
rockabilly, and Border Radio
is one or the great songs
about the experience of American (or Mexican) radio.
Non Fiction by The Blasters. Not quite as great, but still contains
a wonderful range of songs. Jubilee Train
and Long White Cadillac
are probably my favorites, but Bus Station
continues to reveal
Dave Alvin’s skills as a storyteller.
Hard Line by The Blasters. Common Man
remains one of the great
political songs of our time. I hadn’t realized it at the time, but
Rock & Roll Will Stand
makes a great bookend to American Music
.
My I’m Large by the Bobs. Fun and funny a cappella.
Peter Case by Peter Case. I love Case from his work with The
Plimsouls - A Million Miles Away
is a classic of power pop,
but there are so many other Plimsouls songs I love, too. In any
case, like many musicians of the time, Case broke away from his
band to make more folky music. I’m not sure that there are
particular songs that stand out from his solo debut, but it’s
an album that lived in the car with us.
Marshall Crenshaw by Marshall Crenshaw. Great pop by a Beatles devotee. If I recall correctly, we also had a tape recorded live from the radio, and liked many songs from there, too. We saw him live a few years ago, and it wasn’t the same.
Honky Tonk Masquerade by Joe Ely. His breakout album. Not quite
country, not quite rock, certainly not Eagles-style country-rock.
An amazing variety of songs that bring together what makes country
great (lyrics that reflect the likely experience of everyman) with
some of the best songs by Butch Hancock, particularly West Texas
Waltz
and Boxcars
. But Fingernails
, by Ely, is an awesome
rocker, with some of the absurdities that you’d expect from, say,
Little Richard or Jerry Lee Lewis (e.g., I keep my fingernails long
so they click when I play the piano.
).
Lord of the Highway by Joe Ely. Harder songs, but the same
great variety. Me and Billy the Kid
is a great revenge song.
Row of Dominoes
is probably my second favorite song on the album,
and has one of the great opening lines I’ve heard: Carmen must
have been the devil’s daughter. At least he taught her how
to wear her clothes.
Love is a Strange Hotel by Clive Gregson and Christine Collister.
Another $2 bin favorite, which I picked up because I’m a sucker for
cover albums. Amazing versions of songs both famous (The Things
We Do For Love
by 10cc, For a Dancer
by Jackson Browne) and less so
(the title tune, by Boo Hewerdine and Darden Smith [7].
Walking on a Wire by Lowen and Navarro. Yet another $2 bin find.
Lowen and Navarro were songwriters - their We Belong
was a great
hit for Pat Benetar. This album shows their strengths singing their
own songs. Michelle and I have taken the kids to see Dan Navarro
a few times. He’s been thoughtful and gracious when the kids tell
him how much they love his songs (and he seems to remember us from
show to show).
Poi Dog Pondering by Poi Dog Pondering. We let a random Internet acquaintance couch surf at our house and he convince dus to go see them. Their concert was joyful and fun, and their music is the same. A wide variety of instrumentation contributes to the overall sound.
Jonathan Sings by Jonathan Richman. I’ve listed this one already,
but it’s certainly a shared favorite. Not Yet Three
is a song that
will always be special to us, and it’s something we sang to all of
our kids. But That Summer Feeling
, Those Conga Drums
, This
Kind of Music
, and Stop This Car
bring such thoughtfulness
and joy that I couldn’t do without them. And I love Ellie Marshall
on The Neighbors
.
Texas Campfire Tapes by Michelle Shocked. Released without her permission, and at the wrong speed, this is still an awesome set of songs by an amazing songwriter with just her guitar.
The Mercury Trilogy: Short Sharp Shocked, Captain Swing, and Arkansas
Traveller by Michelle Shocked. I think of Michelle Shocked as a folkie,
but on this trilogy she explored a variety of American musical genres.
I think Anchorage
was Michelle (Rebelsky)’s favorite from Short
Sharp Shocked but we also sang along to Memories of East Texas
.
I love her version of Jean Ritchie’s The L&N Don’t Stop Here Anymore
.
We listened to the other two albums less, but (Don’t You Mess Around
With) My Little Sister
is a great response to Elvis and Strawberry Jam
is a wonderful exploration of the joy of making music.
This is Now by Jon Svetkey. Jon Strymish, my best friend (other than
Michelle) took my mother to see Svetkey. Mom bought his tape and
sent it to us. Dead and Streets
and A Way of Praying
are my
favorites, but we love the whole album. Michelle and I have managed to
see Svetkey’s band, The Loomers, a few times. I think we own all of
their albums and all of Svetkey’s solo albums.
And then there were the individual songs that ended up on mix tapes or that seemed to come up again and again when we spun the dial on the radio. Here’s a selection.
Lake Shore Drive
by Aliotta Haynes Jerimiah.Don’t Pay the Ferryman
by Chris De Burgh (the version from the Live for Ireland anthology)Independence Day
by Martina McBrideJackie Wilson Said (I’m in Heaven When You Smile)
by Van MorrisonBarrett’s Privateers
by Stan RogersRock and Roll Lullaby
by B. J. Thomas
Am I done with these musical musings? Nope. I have at least one more to write about the things I listen to, but that Michelle does not.
[1] And still listen to.
[2] She’s not wrong.
[3] That concert is preserved on some bonus CD somewhere.
[4] It’s not that I hate all Harry Chapin songs; just the ones that are
overplayed. I could certainly listen to The Parade’s Still Passing By
,
his tribute to Phil Ochs, many times.
[5] Separate concerns.
[6] I did, of course, tape traditional favorites like the Beatles and Bruce Springsteen. But this musing focuses more on the new things we (mostly) discovered together.
[7] I’ll write about Darden Smith in another musing.
Version 1.0.2 of 2017-07-08.