dry. February I1. I967 ICARLIT AND ILACK Page Soul W Avison Addresses Senaie. Ouilines Expansion Program Mr. James Avlson. head of the Development Oltice, spoke to the senate Wednesday night about the college's ten year, $25 million expansion program. Oi the $12 million to he raised In the next live years. he said $5.8 million is earmarked lor academic use. such as expan- sion of the library and higher faculty salaries. The rest will he used for capital expansion, such as the proposed 32 million P. E. complex. "The money tor P. E." Avison emphasized, ”is not being taken away irom other needs like classroom buildings. 1 see no reason that there will he a change in emphasis at Grin- mail because of the new P. E. complex." To raise the money, Avison said, the alumni will have to be reorganized, and the college will have to relate to the alum- ni in different ways. He said a new and more “intellectu- ally” oriented alumni magazine will be published. He also men tioned plans tor a three day con— vocation next fall during home- coming which will bring to Grinnell speakers or national reputation. Martin Luther King and Clark Kerr have been in- vited. Speaking on the “oonrmunr cation gap” between the stu- dents and administration, Avi- son said any such gap “is cer- tainly not intended.” “We want 10 relate to you,” he said. “but most or us—the Burling gang —do not know how to do it.” Avison said student demon- strations have “little eiiect” an ioundatiun grants but that they “hurt" lund»raising among oldv er alumni. “They don’t under- stand (demonstrations)," Avi- son said, speaking or older alumni, "but they have to learn to live with it.” Reierring to the criticism of the P. E. complex, he said, “I have to learn to live with the 5&3.“ in Executive Cabinet reports, Karen Lauterbach introduced an AWS Board recommendation “that the senate establish a committee to investigate the possibility of the college estab- lishing a contractual agreement with incoming students regard- ing tuition and-or tuition in- creases. We would like to raise some questions.” The senate established the committee. Miss Lauterbach also said AWS Board meetings are open ior those interested. The board JD'S RESTAURANT Elevated—at 922v: Main. Grinneil meets regularly on Tuesday at 4:15 p.m. In Burling basement. This Saturday the board will meet at 1:00 pm. in Hurling. Applications for AWS board president will be available Feb. 2L Steve Kent said President Leggett should announce a de- cision regarding the hours pro- posal sometime before or im- mediately alter spring vacation. Kent also expressed the hope that other members oi the ad- ministration and faculty, par- ticularly Mr. l-laveman, chair- man or the education policy committee, would “be ready soon" to speak to the senate on campus issues. Comment on Kirkpatrick By Jeri Dunn Having dedicated his liie to dispelling the notion that the harpsichord is an Interior pre- decessor to the piano, Mr. Ralph Kirkpatrick communicated his own kind of fervor in his per- iormance Saturday In Roberts. Judging from the reaction to his performance. as well as the overflow attendance, he suc- ceeded rather well In his goal. Kirkpatrick demonstrated that the harpsichord has been an in- strument oi nuance by including in his program a wide range or early composers and styles ranging from the technical dit- iiculties oi Handel and Rameau to the satire of Couperin and the sobriety or Back. The Couperin 0nzienne more was oi particular Interest. As Kirkpatrick explained belore hand, Couperin wrote a series of musical jibes at former mistresses and, lucongruously, the power-hungry Muslclans' Guild. The latter organization was routed at the end at the the Gram by "drunkards, mon- keys, and bears.” Kirkpatrick won many new adherents by substituting Bach’s ltalian Concerto (for “acousti- cal" reasons) in place at Scar- latti. it was disappointing that the composer best interpreted by Kirkpatrick had to be shown the door, for Scarlatti was 81- must twentieth century in his disregard of the musical status quo. The only glimpse Grin- nell got oi him was a single err core. Kirkpatrick’s technical virtu- osity followed a classical slyll oilingering. It is almost impossible to criticize Kirkpatrick‘o musical interpretation. After receiving his BA. at Harvard, he iraver ed to Paris on a grant from his alma mater to study tech- nique under Landowska and theory under Boulanger (whose many iamous pupils included Gershwin and Copland). 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