giddy. May I3. I9“ ICARLET AND BLACK Page Sun ’ r THE toners-r salt in several years was to pages long and devoted eight pages io a study of poverty in Chicago, Des Moines and Grinnell. Pictured above is ex»edii‘or John wolf and Jean Vendervoori interviewing a woman in the "Bottoms" disiiici‘ in Des Moines. Speaker, the position he helped to create. 7 The North Campus Problem began to be debated again when the faculty approved the recom~ mendations of its Executive Council. They suggested that freshman dorms be established, that iipperclassmen rotate be tween halls. and that the Senate be replaced with a joint Coil-KP- AWS Council. Student reaction was not fa- vorable. Two-thirds of those who responded to an 5&8 poll said there was no North Campus Problem. Respondents w e r e also 371 against freshman dorms, upperclass rotation and paid en< forcers, Those who ielt there were problems cited a lack of mature atmosphere on campus, a lack of mobility and an excess oi damages. lllllltillllllllllllililllllltlllltlilllliltllllilllllliIIlllliilllllllillllililllllilli Student Role In Decisions illllllllllllIIlllllilillltlttlllliltllllillllllllllllllllllllllillllllllllllllllllllti Students (or at least Student government) were taken into the deCision-making process by the creation of the Ad Hoc Com- mittee on l-lall Reorganization. Steve Kent Visited halls to eXr plain the committee and to ask GRINNELL‘S EIGHTH PRESIDENT is Glenn Leggeii. who rook oiiiee in September. Leggel‘t's style has been in em- phasize increased student-administration communication. tor student opinions, several or which were received. The committee met during April and May and made its recommendations to President Leggett this morning. The new Senate and Cabinet established several committees to study and make recommenda- tions Concerning college trans- portation, curriculum, counsel— ing, admissions, open rooms, car rule, radio station, the ju- diciary system and Buildings and Grounds. Between commit- tee meetings, Dan Bucks made his attack on the bureaucratic perspective. The year ended with the Sen- ate correcting itseli on the hall initiative fund, which was per- fect at first. Then the campus found out about it and put an end to the nonsense. It was that kind of a year. Music Scene Was Dominated By Ouisiders The musical scene this season was dominated by a stunning array oi imported musical arte ists, The French pianist Jeanne- Marie Darre presented an all- Chopin recital. Janos Starker, internationally renowned cele list, pei‘iormed an elegant pro- gram which included one oi the Bach suites for unaccompanied cello, and the Kodaly Sonata for cello, The University or Chicago Contemporary Chamber Players and the San Francisco Tape Music Center each showed us diiierent trends in contempo- rary composition, the latter dealing wnh electronic music and accompanying visual pro- iections. lstvan Nodes was joined by the Grinnell College Orchestra in an amazmg periormance or the Beethoven Third Piano Theatre Year Enhanced By Student Productions Student directed workshop productions dominated the Grin- nell. theatrical season this year as in the past, Workshops [or freshman actors began the sea- son with excerpts from “LUV,” “0h Dad, Poor Dad etc," “Mary, Mary," and “Who’s Afraid oi Virginia Woolf?” Rob- in Konikow produced ”Twink," an experiment in technical iorm. Frederick Durrenmatt's “The PhysiCistS” was produced and directed by Dennis Rich, T a n y a Hovauessian directed “See How They Run," a British farce. “Whisper into My Good Ear,” by William Hanley was directed by Howard Harned. Fewer workshops were pro- duced in the second semester, but they were of a wider vari- ety. Deb Burnstine directed “The Fantastics,“ a contem« pol‘ary hit musical. 'The Dream Play,” an expressionistic drama by August Strindberg was pro- duced and directed by Howard Horned. Tradition was broken when Henrerork Steiner, an English professor, d i r e c t e d “The Glass Menagerie," by Ten- nessee Williams. The workshop season is not yet over, “Slow Dance on The Killing Ground,” by William Hanley will be produced in the Arena Theatre tonight and to inorrow night at 8 pm. Unfor- tunately. Dennis Rich's produc- tion was pertormed too late to be reviewed in this issue, but it promises to be an experimental and entertaining show. protessor Richard M e y e r (speech and theatre) directed the first major production or the year, “The Knack," by Ann Jellicoe, This contemporary British comedy was performed for homecoming. Later in Octo- ber, Meyer cooperated with Raymond Betts (history) to pro- (luce Betts’ script, “The Bour- geoisie." A revised and en- larged version oi this “drama- tization" will be produced dur< ing commencement. Richard M e y e r (speech and theatre) directed the iirst m a j o r production of lean Anouill‘i's “Antigone.” In late April, Donahue directed the last major production or the year, “Under Milkwood," by Dylan Thomas. ANTIGONE was one oi Grinnell's msior dramatic produc- tions this year. It was directed by Ned Donahoe [speech and theatre]. who is seen smiling at his east over the top of the make-up table. Concerto, and the Minneapolis Symphony Orchestra “Look over” Roberts Theatre With a pair at pErlormances which in- cluded works by Bartok, Der biissy, Hindemith, Dvorak, and Brahms. In the realm of folk, folk-rock, and jazz were Carolyn Hester. Betty Carter, and The Three Souls. No less spectacular has been our own Lenox Quartet. Espe cially notable was Paul i-lei‘sli‘s remarkable lecture on perioriw mice of Beethoven’s Diabelli Variations. Student performances also constituted a large percentage of musical ac ' rity. including concerts by individuals, the Col- legiiim Musicum Conducted by David Sutherland, and the Col- lege Orchestra and Choir, both under the direction of Denis M. de.Coienu.