Page Two , SCARLET AND BLACK An Edilorial . And in the end, all you will be remembered for is your contribution of DNA . . . Grinnellians Travel to Des Moines To Prepare for Civil Rights Project Last Saturday afternoon, nine Grinnell students rode into Des Moines to find out more about the Grinnell Civil Rights Group’s Des Moines Project. Originally the slu~ dents had planned to survey the residents of the slum area. which is just north of the downtown dis- trict, where they will be working. instead they decided to listen to the project's permanent worker in Des Moines, Billy King, describe the local situation in relation to the project's problems and pros- pects ior the hiture. Those Grinnellians who went were: Jean Vandervoort, Jane Prescott, John Wecktor, Ian Smith, Sam Donohoe, Ellen Linéoln, pruce Armstrong, Bonnie Tinker, erlecia Oldfnther; nnd~Jeff Hort. King and Miss Vandervoort staged a mock interview to dem- onstrate ta Ute students how best to approach residents when sur- veying dues begin. King also said that an organization oi Des Moines high school students called Youth for Freedom will Work on the project. The main goals oi the project will be voter registration. action on pending urban renewal plans oi the city and the organization at an area board in connection with the federal War on Poverty. Sev- eral students mentioned that through this project the students hoped to relieve some of the sense of powerlessness felt by slum resi» dents. King said that he wanted to show the people that they can fight city hall. Scarlet and Black 6I|Nllll COLLIGI Grim", loll A weekly newspaper published each Friday or the col- Hg: year by the Grinuell coniinuicc on Sludcilt Public:- rions. ncprssentcd tor nalloml advertising by National At1> vertlsing Service, inc, college Ptlbllshzrs Representative, 18 East 50th street. New york 12, N. second class post- agc paid at finnnell, iowil, subsciip ion rate 55.00 per school run ism paid tubseriptlons, inl’i‘oll nu lwl-zss MANAGER nssocmt EDITOR . smit'is EDITOR _lvoall»hye ior leille, sleet l'l-AIURE EDITOR CIRCULATION humour CHIEF on CHICAGO nuttoAu mlulutxkAPllElXS . , u .l’UK'I'IJiS Paul or Alan Axnlrod, lsn .illnn won untold ruso. nob limitin- srcvg Casey ,. Lynrhlx must wi Chandler Mahmun Sue Tllyloi- , Scott r-rrlsn, Sieve shcndur mil, 5... nnruulrt, Martini norkty, icy, run C|Iy, Anne ermr, Jcil um, Kim L-nc, .lennetie Mall. Mary Malcolm sue romgrunre, Kris Nash, zit-nor rrlo. nlnnc romenincc, Bill ital-telly, R-y n-nkln, Mary nuvclson. Conlilc simon. wnyn. Stenxel. naronril Westmt Amy norm-a, f-(Am. summm, siiran will Letters Frldoy. October I. 1% Responsible Students Praised on Film Choices Tn the Editor: During lhe past wccks I've en. joyed seeing somc very good e yes, excellent a ivcll, noiahie moving pictures. 11’: not been dir— iicult to gct students and iaculty members to talk about ihc good and the bad in to mice Vita, Maya Deren’s onereel expert mcnts, Lazarilio, and The Diary ci a Country Priest. cinema is it popular art, like eating, and each of us is after all an authority on what he likes. As far as living memory is con- cci-ncd, we've always “gone to the movies“ here in Grinnell, yet not in the past dozen years or so, and perhaps never, have the tilm offer» lngs been so well chosen. The melancholy tact is that only a few of the many movies produced coma mand rcspeci in the judgment oi those who devote their whole time to discriminating the works at art from works at mass enter tainnlent. Occasionally a work oi art is a paying proposition at the box otticc. The Grinnell Film Sen les, the Fine Arts Program and the Forum Film Series have al- lowed us to set the works of Fel- Iini and Bresson by the side or the commercial Hollywood prod- uct. If we do end up preterring the latter, we will have chosen without our eyes open, What's wrong with television is that it doesn't provide, as attunell does, a broad range ircm which to choose your kind of cinema, The neighborhood theater can’t attord to disagree often 'th the majority, what the authorities on iilm in our age claim is that the great di- rector has now taken his place among the poets. musicians, paint. ers, dramatists, and architects. A few oi them now living will prob- ably stand the full glare of criti- cism, Will it be imaginative Fel~ iini. whose spectacular m is scheduled. at the quiet, low~keyed perfectionist Robert Bresson, whose Diary at a Country rriest we saw last week? Will it be Luis Bunuel of Spain or Ingmar Berg. man ct Sweden? Certainly now Asia is emerging to vic with America and Europe in the art of iilm making and we should see some oi the masterpieces ot Japan and lndia. The cinema program includes much excitement during the ycnr looooo. Television may keep it a secret that we live in an age ct great directors. We owe much, thereiorc. to those tilm buffs, or cinemaniacs, who arc, in various ways making this year's program: Georgia Dentel. Richard Cervenc, Robert Johnston. Melinda Ward, Kunio Waki, Robert Konikow, Keith King . . , and others. Rich- ard Meyer is bringing to (million this year a iilm produced last ycar under his guidance by a sch: icr, John Howard. its called The Rose oi Castillo. It’s the year oi the him at Grin- nell, and I’m for saying thanks and joining the cinemaniacs. Paul iiiinli Sophs, Juniors: Dare to Face Need An Open Letter to Sophomores and Juniors: NOW is the time to stop and think. why aren’t you going to LeMoyne? You think it's a great idea, don’t you; out ior someone else. How many reasons have you created to avoid deciding to go? I know them all, and there are manyAl came up with them all myselt. It’s very easy to find ex- cuses for staying in your comfort- able Grinnell rut, for not having to face yourscli in a new and challenging position. But now, to day, is the time to face yourself, to dare to say "I can. i will." No major is so inflexible that you will not graduate it you miss a semester, no class is so exclu» sively Grinnell’s that it cannot be taken at LeMoyne. or one oi Memphis' other three colleges if necessary. No organization is go- ing to tail apart it you leave, and ynur hall will survive with a new baffleboard or house council mem- ber. And it you and that special girl or guy can’t lace a semes- ter apart. . .You are not indis- pensible at Grinnell. LeMoyne needs you, however. The faculty, administration, Ind most of all. the students, want this exchange program to work. it is our choice as to whether or not it will continue. There Is another world at LcMoyne, in Memphis; a world waiting to be understood. wanting to share its joys and sorrows. Them are friends in Memphis, waiting for you. There are hours or conversation hanging in me air—conversation that will force you to discover yourself, for you will be challenged to explain youiself. There lire classes to learn from, and to contribute what you alone can give. There iii-e slur dent groups waiting icr your ideas and experiences. There are chil- dren whose eyes will glow at your friendship. {or a friendly white face is raw There is fun, and heartache; learning, and unlenm» ing. More than anyihing, there is a new you waiting in Men‘bhls; a wiser, more llnderstzndlng person. a much more necessary person. You are needed: how can you not go to LeMayne? Plans Going Ahead for New College; Si. Olaf Assists Tuskegee Negroes By PAUL BRADLEY Four professors from Amherst, Smith, Mount l-loiyoke, and the University of Massachusetts met in the Summer of 1958 to draw up the plan ior is new college equi- distant from the {our existing in- stitutions. But not until Harold F. Johnson, Amherst class of 1918, gave six million did these college plans come out of storage, The new college will be known as Hampshire College and will oper— ate as a coeducational liberal arts institution. Through cooperation oi the tour schools, Hampshire should be completed by May of 1968. The new institution Will serve as a catalyst to accelerate the co- ordination of the tour surrounding colleges, will experiment with ed- ucational innovations, and hope- fully will substantially reduce the cost or a college education without impairing its quality. Freshmen would attend seminars consisting of twelve students each; students would study only three courses at a time, making possible greater concentration of effort; and inde- pendent and student group work would be substantially emphtlr sized. it n o Sixty~five students from St. Olaf spent the summer in Tuskegee, Ala. They lived with Negro fam— ilies and tutored the adults. Many oi the adults previously could not write their own names and had never heard classical music. The tutors worked under the s u m in e r Education Program, which is federally financed through the Office of EcUnomic Opportunity and the Office at Ed- ucation. Altogether there were six hundred tutors, five hundred and thirty of them Negroes, working in the area surrounding Tuskegee Institute. The Summer Education Program is spoken of as a second front to the civil rights movement, but the tutors are forbidden to demonstrate. Brown Returns from Leave. Discusses German Changes what they used to call “American “To return refreshed Ind ready to import new knowledge" is the way Andrew Brown (German) de- scribed the value of a sabbatical leave. Brown spent last semester in Munich, Germany, working on a book about the eighteenth century playwright and critic Lessing. While in Germany, Brown Ind his family traveled to cities near Munich and enjoyed a more ex- tensive trip at Easter. "We had been to Germany five years before." Brown commented. “ ‘The economic miracle' has gained ground in even so short a time. There has been an impres- sive degree of rebuilding. Few remnants of the war are left." One Munich art gallery was no ticcably left unrestored. "As if it were a monument to destruction," Brown suggested. increasingly prosperous, Germa- ny, according to Brown, is over— Cynthia llrustlcoming a iormer prejudice against materialism," Now many Ger- mans own cars, reln‘geratots, ,n‘tld appliancts. .. - . Nutow German amen. hour- ever, ure not consistent with mod- em traffic, Even nbuilt urea: have nan-w lanes Ind lam, . since the old cities have been faithfully reproduced. Rewriting better ncquainied with modem German culture and en- joying I complete change of lur- roundings, llrown tinds his notes» ter'i observations beneficial. Ha maintains, “Foreign travel, es. specially for l languagu teacher, make: teaching more vital, mom interesting.” PHOTO CREDITS rate 3. Silva Shender knits i: Bob nodletne lure li- Bob nnoicrno trot: 1cm Illmi. Scott Parrllh