Note: We will revisit the readings for the second half of the semester during
our meeting of week eight.
| |
Date |
Reading |
Leaders |
| 1 |
Friday, 31 August 2012 |
No reading. First class. |
Rebelsky |
| 2 |
Friday, 7 September 2012 |
Clayson, James (2008).
Radical Bricolage: Building Coherence in the Liberal Arts Using Art,
Modelling, and Language.
International Journal of Education Through Art, 4 (2).
doi=10.1386/eta.4.2.141/1.
or
Clayson, James (2007).
Radical Bricolage - Making the Liberal Arts Coherent.
From Proceedings of Eurologo 2007.
http://www.di.unito.it/~barbara/MicRobot/AttiEuroLogo2007/proceedings/PP-Clayson.pdf.
|
Sinan and Spencer |
| 3 |
Friday, 14 September 2012 |
Pearson, Matt (2011). Introduction to Generative Art. Manning.
http://www.manning.com/pearson/GenArt-Sample-Intro.pdf
http://www.manning.com/pearson/.
|
Adriana and Max
|
| 4 |
Friday, 21 September 2012 |
Mitchell, William J., Inouye, Alan S., and Blumental, Marjory S., Eds.
(2003).
Creative Practices. Chapter 2 of Beyond Productivity: Information
Technology, Innovation, and Creativity.
http://www.nap.edu/catalog/10671.html
|
Tolu and Kate
|
| 5 |
Friday, 28 September 2012 |
No class. Sam at conference on Visual Learning: Transforming
the Liberal Arts .
|
|
| 6 |
Friday, 5 October 2012 |
Paul A. Fishwick. 2006. Aesthetic Computing. Chapter 1 of Paul A. Fishwick (ed.), Aesthetic Computing. Cambridge, MA: MIT Press.
http://mitpress.mit.edu/books/chapters/0262562375chap1.pdf
|
Radhika and Chike
|
| 7 |
Friday, 12 October 2012 |
Temporary Organisation for the Permanence of Live AudioVisual Programming, A Manifesto.
http://toplap.org/wiki/ManifestoDraft
Wang, G. and Cook, P. R. (2004). On-the-fly programming: using code as an expressive musical instrument. In Proceedings of the 2004 Conference on New Interfaces for Musical Expression, pages 138-143.
http://soundlab.cs.princeton.edu/publications/on-the-fly_nime2004.pdf
Nick Collins (2011). Live coding of Consequence. Leonardo 44 (3), pp. 207-211.
http://www.sussex.ac.uk/Users/nc81/research/livecodingofconsequence.pdf
|
Colin B. and Jennelle
|
| 8 |
Friday, 19 October 2012 |
Victoria & Albert Museum (2009). V&A Pattern: Digital Pioneers.
(Primarily a collection of digital artworks.)
|
Opavaksy
|
| Fall Break! |
| 9 |
Friday, 2 November 2012 |
Wright, Richard. From System to Software: Computer Programming and the Death of Constructivist Art. In Brown, et al., eds. White Heat Cold Logic: British Computer Art 1960-1980.
|
Jennelle.
|
| 10 |
Friday, 9 November 2012 |
Selections from
Rosen, Margit, Ed. (2011). A Little-Known Story about a Movement,
a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit
International, 1961-1973, including.
Franke, Herbert W. (orig. 1971, translation 2011). Social Aspects of
Computer Art. pp. 435-437.
Morellet, Francois (orig. 1962, translation 2011). The Case for
Programmed Experimental Painting. pp. 92-93.
Munari, Bruno (orig. 1964, reprinted 2011). Arte Programmata. p. 176.
Nake, Frieder (orig. 1968). There Should Be No Computer Art. pp.
466-467.
Nees, Georg (orig. 1968, translation 2011). Computer Graphics and
Visual Translations. pp. 320-325.
|
Colin and Sinan.
|
| 11 |
Friday, 16 November 2012 |
Selections from
Meada, John (1999). Design by Numbers.
|
Tolu and Kate.
|
| Thanksgiving Break! |
| 12 |
Friday, 30 November 2012 |
Lewis, Matthew. Evolutionary Visual Art and Design. In Romero and Machado (eds.) The Art of Artificial Evolution: A Handbook of Evolutionary
Art and Music.
|
Spencer and Chike.
|
| 13 |
Friday, 7 December 2012 |
Selections from Lopes, Dominic McIver (2010). A Philosophy of
Computer Art.
|
Erik and Radhika.
|
| 14 |
Friday, 14 December 2012 |
No reading. Final class. Debrief and wrap up.
|
Sam and Adriana.
|
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